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Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.
- Sales Rank: #459517 in Books
- Published on: 2001-09-08
- Released on: 2001-09-08
- Original language: English
- Number of items: 1
- Dimensions: 8.26" h x 1.04" w x 5.51" l, .92 pounds
- Binding: Paperback
- 528 pages
From Publishers Weekly
Louis Holland's father is a bemused left-wing historian, his mother a frustrated social-climber; his sister Eileen is a woman of picturesque self-absorption who takes off for business school in Boston. Louis, bespectacled, bland and prematurely balding, is a radio buff. A series of unrelated events--the mother's inheritance of $22 million, Louis's landing a radio job in Boston, among others--brings this commonplace, unhappy family together at the center of myriad transformations. "Strong motion" refers to the ground-shaking of earthquakes; mysteriously, Boston is being racked by them. As it turns out, the inherited money is tied up in a company that Louis's girlfriend Renee, a seismologist, suspects is causing the disturbances by injecting toxic waste into wells. In an accidental but fateful confrontation, Renee makes derogatory comments about an anti-abortion group's leader. The interweaving of women's reproductive rights issues with environmental disaster places the author (as well as the characters) on shaky ground. Such complicated themes, sounded against the backdrop of a lightly sketched Boston, seem poorly served by having one family heroically sort them out. After the stunning perfections of Franzen's first novel ( The Twenty-Seventh City ), this second effort is a paler achievement. Though his descriptive gifts are still in evidence, the plot becomes an all-too-obvious untying of a highly improbable knot.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
An earthquake that 23-year-old Louis Holland doesn't even feel shakes the Boston area and sets in motion a chain of events in this multilayered, metaphor-studded novel with a love story at its core. After Louis's step-grandmother is the quake's only fatality, his mother inherits millions in stock of chemical company Sweeting-Aldren, and Louis meets seismologist Renee Seitchek, who shares her bed and her theory with him. When tremors continue in the Northeast, scientists study fault lines, a fundamentalist anti-abortion minister credits God's wrath, and Renee suggests "induced seismicity" from Sweeting-Aldren's longtime secret pumping of industrial wastes into a deep well. Franzen ( The Twenty-Seventh City , LJ 11/1/88) may push an occasional metaphor too far, but distractions fade in the face of fine characterizations in a context of science grounded in history with well-integrated social messages and a subtext of the Boston Red Sox breaking fans' hearts. Impressive.
- Michele Leber, Fairfax Cty. P.L., Va.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Franzen follows his widely acclaimed debut, The Twenty-seventh City (1988), with a potent saga of tentative love and environmental catastrophe that quakes and ultimately self-destructs, although it fragments into magnificent pieces in the process. The title, a technical term for ground shaking near the epicenter of an earthquake, comes into play as a series of shocks hits the coast north of Boston, the first of which supposedly kills young Louis Holland's crotchety grandmother. His family inherits millions as a result, but he has no access to it, even when he loses his job at a local radio station after a takeover by right- to-lifers. A bright patch in his otherwise bleak landscape is his girlfriend Ren‚e Seichek, a principled seismologist working at Harvard who connects the seismic activity with secret long-term dumping of a major chemical company's toxic waste into a deep well drilled on its property. Louis and Ren‚e split up when an old flame comes to visit him, however, and in her loneliness Ren‚e discovers she's pregnant, leading to a showdown between her and the fundamentalists picketing her abortion clinic. When she's mysteriously shot and critically wounded immediately afterward, Louis nurses her to health even as a final quake causes widespread damage, utterly destroying the chemical plant in a moment of sweet if heavy-handed poetic justice. Unfortunately, the dichotomies between romance and science, abortion and the environment are unresolved, and the self-pity in Louis's nihilism as he rails against mother, father, sister, the world, and himself makes him a cold and distant protagonist. A brooding tale of personal responsibility and dangerous legacies that's ambitious and impressive but finally overreaches itself. -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An excellent if dated book.
By Wenn Schon
An excellent if dated book, takes place around 1900. Lots to think about and very well written. Could have used some serious editing though to remove or cut down rambling philosophical sections. Never would have thought that anyone could do so much with the idea of earthquakes around Boston.
16 of 19 people found the following review helpful.
Does the earth move for you?
By William Whyte
Great things about this novel include:
- The central idea -- both the concept of earthquakes in the Boston area, and the concept of how they might have been caused.
- The writing -- full of brilliant images, razor-sharp observation, and humanity. Franzen is the only novelist I know whose characters have the real-life habit of ending sentences with "so", as in "Well, he's coming in tomorrow, so." Other reviewers have commented on the raccoon sequence, which is affecting and unforgettable.
- The setting -- if Boston were destroyed in an earthquake, you could reconstruct it from the description given in the book.
- The social conscience -- in particular, the sequence about the effects of the settlers on New England stands out.
- And the gutsiness of having a character who's a militant anti-abortionist with a heart of gold.
The weaknesses:
- The main characters aren't entirely likeable. This applies particularly to the female characters; Louis's mother Melanie is an ogre, his sister Eileen is a spoiled idiot, his Texan girlfriend Lauren is just an annoyance. Even Renee, the main female character, is curiously static; Louis develops far more as the book goes on.
- It's such a big, ambitious book, and yet a small number of main characters are linked into all the plots. In particular, it seems contrived that Eileen's boyfriend Peter has a direct family link into the vast conspiracy.
The weaknesses -- in particular, the events leading up to Louis and Renee's separation halfway through the book -- made me so impatient that I actually gave up reading it for a while. But I'm very glad I returned to it. A lot of the most memorable passages are in the second half, there's a great sense of gathering apocalypse and all the pleasures of a well-constructed thriller, and it ends on an emotional high that prefigures, but doesn't quite match, that at the end of The Corrections. Definitely worth a read, particularly if (by sheer coincidence) you live on the same street as the hero...
35 of 38 people found the following review helpful.
Better than The Corrections
By F. T. Litz
I picked up Strong Motion after enjoying Franzen's The Corrections. The story lines in this novel are more complexly layered than those in The Corrections, but also more tightly organized. Most notably, in stark contrast to The Corrections, Franzen does not send us off to the Baltics to experience needless side stories. Every overlapping and interwoven piece of text is important to the rest of the novel.
Brief decriptions of the plot do not do the book justice, because they come off as unbelievable, even gimmicky. While Franzen does take bold risks with this story and his characters, this novel is so well crafted that I did not even pause to consider whether a particular plot twist was plausible. Like all good fiction, the unreal becomes real as the story unfolds.
With rich, conflicted characters and smart, penetrating observations of American society, Franzen's Strong Motion is a master work. It is easy to see why there was such a buzz around the release of The Corrections: Franzen is one of the best contemporary American literary fiction has to offer.
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