Selasa, 30 Oktober 2012

[X542.Ebook] Free Ebook Nakshatras, by Dennis M. Harness Ph.D.

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Nakshatras, by Dennis M. Harness Ph.D.

This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.

  • Sales Rank: #214452 in Books
  • Brand: Harness, Dennis M./ Frawley, David (INT)
  • Published on: 1999-11-15
  • Ingredients: Dennis Harness, Ph.D. This book shows you how to access the wisdom of the Nakshatras in your personal life and for your society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology, but for anyone interested in self-development or spiritual growth.
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .50" w x 5.40" l, .56 pounds
  • Binding: Paperback
  • 216 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

29 of 29 people found the following review helpful.
Handy reference guide for beginners, maybe for practitioners
By Anna Noehre
Handy reference guide to the 27 (with Abijit, 28) nakshatras, or lunar mansions, used extensively in Jyotisha practice to find the specific character of the Moon (& other lagnas).

Jyotisha contains both solar & lunar astrological lineages. Nakshatra readings are from the older, lunar component. Westerners accustomed to tropical, solar-only astrology will find nakshatra divisions perhaps a very new concept. (For a historical explanation of the merging of solar & lunar systems in Jyotisha, see Valerie Roebuck "The Circle of Stars".)

Harness' "Nakshatras" provides a nice way to dip one's baby toe into the rich & complex lunar-house system. It offers about 3 pages of description for each nakshatra. 3 pages turns out to be perfect for beginner-level quick reference without detailed study.

Each 3-page description includes David Frawley's definition of the nakshtra's "shakti" or divine energy, the central stars in its astronomical constellation, ruling planet & ruling deities, animal symbol, and descriptive psychological profile. (Harness has a PhD in counseling psychology.) There is a brief but useful section on using nakshatras to establish relationship compatibility, and a note on kuja dosha. Good index too!(A great rarity in Jyotisha books...) At the end, there is an appendix containing 12 basic rashi profiles, which may be helpful for early beginners.

If you are starting from a Western astrological perspective and have never heard of nakshatras, by all means buy this modest volume for your Jyotisha bookshelf. It is approachable and easy to read.

Seasoned practitioners of the Vidya may find the descriptive material rather superficial, to the point of sounding vapid. This is definitely not a scholarly text. Considering the complexity of nakshatra lore, it is not even particularly informative.

However, there is one advanced feature that experienced Jyotishi may agree re-pays the cost of this book. That is Harness' by-permission copy of B.V. Raman's incredibly convenient nakshatra marriage compatibility chart, listed toward the end of the volume. If one does frequent compatibility assessments, this chart can be a time-saver.

Despite its limitations or perhaps because of them, "Nakshatras" offers good value to its intended audience of early beginner students of Jyotisha. Harness has done a service by packaging "the tip of the iceberg" in a pleasant, accessible style.

11 of 11 people found the following review helpful.
A Very Handy Resource on Nakshatras
By A Customer
Dennis Harness holds a doctorate in Counseling Psychology and has studied both Eastern and Western astrology. This book is his presentation of the Nakshatras, which are the 27 (or, for some 28) Lunar Mansions of Vedic Astrology. The Nakshatras have a particularly interesting import in analysis when we consider that in ancient Indian culture people identified the stars, satellites, and planets with demons, gods, and other supernatural forces as components and constructs of reality. Frequently divine and metaphysical factors were perceived as spiritual forces that dispensed grace and penalty to the individuals they contacted. Hence, the lunar mansions, which correlates with the 28-day lunar cycle through the zodiac, corresponds to a period of divine sovereignty as indicated by the Lord who presides over that domain in time. In Indian mythology, each Nakshatra is represented as one of the Moon's brides.
This entire text is devoted to a presentation of the Nakshatras, and it includes sections such as: Choosing Auspicious Lunar Nakshatras; Relationship Compatibility; a very well organized appendix that aids you in identifying Planets, Houses and Ascendants "at a Glance;" and a handy Sanskrit glossary. This text is very easy to read, and very well presented.

9 of 10 people found the following review helpful.
Great Introduction to the Lunar Mansions
By Linda Johnsen
This is an absolutely wonderful introduction to the 27 Moon signs used in Vedic astrology. It's well organized, easy to read, and incredibly fascinating. Highly recommended!

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Sabtu, 20 Oktober 2012

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  • Sales Rank: #6976346 in Books
  • Published on: 2014
  • Binding: Paperback
  • 96 pages

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Sabtu, 13 Oktober 2012

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Published on: 2016-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .65" w x 5.98" l, .92 pounds
  • Binding: Paperback
  • 312 pages

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Rabu, 03 Oktober 2012

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The Formative Dylan: Transmission and Stylistic Influences, 1961-1963 (American Folk Music and Musicians, No. 7.), by Todd Harvey

The Formative Dylan examines the musical roots of 70 songs from Dylan's early career, namely from his first three Columbia LPs, officially released outtakes from those sessions, and his Broadside session recordings released by Folkways. Each of these songs is presented in a short article that details melodic and lyric roots and describes contemporaneous performances to show the process by which Dylan learned or composed his formative repertoire. Three appendixes help the reader to understand this repertoire not only in the continuum of American music but as a reflection of Dylan's own compositional development.

The term "formative" conveys that at that early point in his career Dylan had not yet fully emerged as a composer. During his formative period, almost every song had a clear melodic or lyric predecessor. His influences and his own creativity had not quite meshed into an individual style. His repertoire ranged from traditional Appalachian songs to blues to topical-protest songs, representing the interaction between the traditional and popular streams of American music.

Written during a ten-month Postdoctoral Fellowship at the Smithsonian Institution's Center for Folklife and Cultural Heritage, this book's primary resources were the Smithsonian's Ralph Rinzler Folklife Archives and Collections, the American Folklife Center at the Library of Congress, and the Library's Motion Picture, Broadcasting, and Recorded Sound Division.

  • Sales Rank: #3101449 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2001-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.41" h x .80" w x 6.35" l, .99 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

Review
Much has been written about Bob Dylan's early years and the folk revival movement, but this is the first time an attempt has been made to examine from a musicologist's point of view Dylan's compositional development during that seminal period...Harvey's book is truly excellent, and it is pleasant to read, too...Any reader interested in American traditional music and in Dylan's early years will find much to glean here... (The Bridge)

A must for any bookshelf purporting to represent the standard works on Dylan. Anyone wishing to engage with the flow of initial micro-periods in Dylan's development will find this book an invaluable companion. (Uncut)

...a book written with affection, knowledge and attention to detail, as well as an appreciation of the wider context….The Formative Dylan informs, engages, stimulates and expands understanding and appreciation. (Isis)

...Harvey does an excellent job finding relevant influences and analyzing the music... (Choice)

About the Author
Todd Harvey is currently a Folklife Specialist at the American Folklife Center, Library of Congress. Previously, he was a Professorial Lecturer at American University in the Department of Performing Arts.

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8 of 8 people found the following review helpful.
Excellent work
By A Customer
This is a fascinating book. Harvey examines 70 early Dylan songs for their musical and lyrical influences. He doesn't stop when he finds an earlier song with a similar melody. He finds a song that influenced the melody of *that* song, and then he finds yet an earlier song that had a similar tune, and so on.
Dylan has sometimes been criticized for ripping off the songs of this or that performer. Dominic Behan, for a famous example, claimed Dylan copied his 1957 "Patriot Game" in "With God On Our Side." Harvey's research shows what Behan conveniently did not mention: The "Patriot Game" melody had been used by Burl Ives in his versions of "The Nightingale," released on two different records in 1952 and 1956, before Behan wrote his song. Then Harvey traces the melody back to a recording made by Jo Stafford in 1948, released on a 78 rpm album. Harvey also reports that Liam Clancy said a very similar melody ("The Merry Month of May") came from the Appalachian Mountains.
Dylan *had* heard "The Patriot Game" and was influenced by it, as the lyrics indicate. The point is that, when folk songs and their melodies are the issue, no one person can usually be determined to be the author. Someone may copyright various songs, as A. P. Carter did with many Carter Family recordings, but that doesn't mean he wrote them. It is more a matter of receiving royalties that would otherwise be lost to Anonymous.
Harvey's book is fascinating reading, well written, and original. In this time when so many Dylan books are rehashes of the same old stories, it is a pleasant surprise to read a volume that is written from independent research.
The Formative Dylan is also a rare Dylan book in that its subject is Dylan's music, not his private life. Highest recommendation.

3 of 3 people found the following review helpful.
An excellent scholarly piece
By Mr. Adrian J. Smith
Todd Harvey's book is not only thoughful and well written, but it also contributes greatly to scholarship on Dylan by approaching his work musicologically. This is not to say that the work is inaccessible to those who aren't musicologists (I am not a musicologist myself, and found the book most user friendly). Harvey's book is most useful in that it presents a factual case describing Dylan's myriad influences, and doesn't fall foul of the "Is he or isn't he 'folk'?"/"Did he or didn't he sell out?" debates that have been to the detriment of some cultural histories of Dylan. Nor does Harvey attempt to situate Dylan's work in the context of 20th century American poetry as some scholars have tried to do (a fruitless task, to be sure). Most of all, Harvey helps to situate Dylan in the wider context of American traditional music, daring to look back even to the medieval ballads of Europe, rather than myopically locating Dylan and his work in the 1960s. This book is a must.

2 of 4 people found the following review helpful.
Oh how dull!
By P. Bryant
It's an excellent idea, but what grindingly dull work Todd Harvey makes of it all. Each of the 70 analyses follow the same pattern, so each contains a paragraph which says something like "I have heard 11 versions of Don't Think Twice, It's All Right : the [10/?/62a] 2nd Gaslight performance, the [11/14/62] Freewheelin' session VI recording, subsequently released on that lp, the [3/?/63a] Witmark session V recording..." etc etc through all 11 performances. (All the sessions are listed in an appendix at the back of the book, so why he couldn't asterisk those he'd heard and save 70 tedious paragraphs, I don't know.) Then later, we get a musical analysis of each song, like this : "Lay Down Your Waery Tune has a verse-chorus form with five verses (verse four has no chorus). In duple time it has an ABCA/ABCA phrase structure. Like Paths of Victory and Walkin' Down the Line the melody is the same in both the verse and chorus sections". Well, not much enlightenment there. I give credit for the author's doggedness in trying to chase down the sources for all these songs - there's lots of stuff I didn't know in here - but ignoring the appendices this book is only 127 pages long... (I believe that might be because it's aiming for educational establishments and not fans - maybe. Anyway, it tries hard to be "scholarly".) There are also odd lapses. Harvey credits John Bauldie's notes to the "Bootleg Series" box set then does not mention that Dylan's "Cough Song" is probably based on Jimmie Tarlton's (1930) "Mexican Rag" as Bauldie says. He omits the connection between "When the Ship Comes In" and the Carter family's "Gospel Ship"; and he doesn't explore the rather obvious thematic similarity between Dylan's "John Brown" and the Irish trad song "Johnny I Hardly Knew You". I might have forgiven the author for those omissions, but I can't forgive him for writing such a very dull and boring book about such an interesting subject. All in all, this is a real missed opportunity.

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